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Nicknames & secret identities

4 of 4 working tools · editorial release pending

Nicknames & secret identities

Science Fiction Unit Callsigns

Create a radio identity with a consistent unit prefix, fixed-width numeric identifier and spoken call word. Keep locked identifiers distinct and compare compact alternatives. In the accompanying garden-cart race, an exact call makes a technician answer for an unearned delivery; a useful identifier cannot win her back a lost lap.

What makes it different

Enforce unit prefix, fixed-width number and spoken call word.

  • Unit prefix
  • Fixed-width identifier
  • Call word
  • Spoken number form
AN EDITORIAL EXAMPLEARC-042 Lark

ARC, 042 and Lark are separate components. Different call words do not make a repeated numeric position valid.

Read: The Last Lap of LarkComplete original fiction · human review pendingOpen the workbench
Nicknames & secret identities

Relationship Nicknames

Begin with a given name you already want to keep. Explore invented short addresses, edit the relationship that permits one to be spoken and read a mapmaking story in which a familiar nickname holds a memory its owner is finally ready to correct.

What makes it different

Require a supplied name and derive an address without replacing the legal name.

  • Preserved given name
  • Derived address
  • Relationship permission
  • Editable nickname
AN EDITORIAL EXAMPLENoro

Noro is Nora’s fictional self-chosen expedition address. In the story it changes from a presumed summons into a question about who chooses the next turn; this is not a real etymology.

Read: The Origin on the MapComplete original fiction · human review pendingOpen the workbench
Nicknames & secret identities

Concurrent Cover Identity Ledger

Keep one character recognizable to the author while different observers know different working names. Plan concurrent covers, check their story-day windows and props, and copy only the fields a particular observer may know.

What makes it different

Models simultaneous covers in different contexts, explicit observer-to-cover knowledge and independent prop intervals. Unlike a two-stage name change or narrator label, it projects a current view without spreading private links to other covers.

  • resolved private cover records
  • canonical person and cover IDs
  • context and half-open interval
  • observer-visible alias or unavailable state
AN EDITORIAL EXAMPLENora Vale / Mira Stone

Nora Vale and Mira Stone belong to one Tessa in two overlapping assignments. Two available covers supply neither two bodies nor two hours. Pella can know Mira is Nora without acquiring Tessa’s private name.

Read: Only One Pair of HandsComplete original fiction · human review pendingOpen the workbench
Nicknames & secret identities

Earned Epithet & Event Credit Workbench

A title can remember an act, or begin asking its bearer to perform it forever. Build original epithets from event motifs, inspect who actually qualifies and keep premature praise distinct from earned credit. Follow Oren to a bright window where listening requires a room dark enough for someone else’s story.

What makes it different

Evaluates author-defined event completion, required participation roles and all/any prerequisites at each grant’s own day. Unlike title inheritance, it does not simply move a supplied title between bearers; an unsupported grant stays unsupported after a later event.

  • Event-linked title motifs
  • Grant-day & role checks
  • Proposal and withdrawal history
AN EDITORIAL EXAMPLEOren Vale — Keeper of the Last Lantern

Oren’s Keeper title refers to the completed walk and his declared keeper role. His later Maker claim is granted before the show and names the wrong performer. Tali’s separate claim is granted only after her performance; withdrawal never erases the earlier decisions.

Read: A Room Dark EnoughComplete original fiction · human review pendingOpen the workbench